Maiden
Netflix and Wii get medieval.
Credits
advertiser: | Netflix |
---|---|
CD/Co. chairman: | Jeff Goodby |
group CD: | Jim Elliott |
AD: | Cris Logan |
writer: | Jon Wolanske |
producer: | Jennie Lindstrom |
account director: | Angie Ziebell |
account manager: | Julia Gilbert |
asst account manager: | Di Dang |
prodco: | Anonymous Content |
director: | Markus Walter |
line producer: | Adam Gross |
DOP: | Ekkehart Pollack |
editorial company: | Arcade Edit, Los Angeles |
editor: | Geoff Hounsell |
asst aditor: | Will Hasell |
post producer: | Ali Reed |
VFX: | The Mill, Los Angeles |
executive producer: | Sue Troyan |
producer: | Krystina Shales |
VFX supervisor: | Phil Crowe |
lead flame artist: | Chris Knight |
flame assists: | Shane Zinkhon, Steve Cokonis |
graphics info: | Red $9 animation completed by GSP Motion Graphics |
sound design: | Human |
Final Music: | Human |
telecine: | Stefan Sonnenfield, Co3 |
mix: | Rohan Young, Lime |
Goodby and Silverstein play on many a medieval movie cliche in this spot promoting Netflix and Wii Twist – knight goes on quest, leaves behind sad and worried maiden, but leaves a token of his undying love with her so that she might always look toward the day he will return. Of course, the ‘piece of him’ this guy leaves his maiden isn’t exactly the norm in the days of yore, but at least she can help deal with her grief by checking out many more movie cliches thanks to Netflix. If she manages to figure out how to use it, that is.
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